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Read Ahead - Level 3
Day 12
Warm-up for Allegretto Play these chord progressions a few times. Warm-up for Off to the Meadows Notice the parallel motion, first in 10ths, then in 6ths. Off to the Meadows! (Cornelius Gurlitt) Look through this piece first to find the chord progressions you just played. Once again, feel the measure as the beat rather than the 8th note. ...Sign in to view if you have purchased access to this content or see purchase options below.
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ReadAhead
Read Ahead is a comprehensive sight-reading curriculum based on high-quality music, carefully graded and supplemented with a wide variety of exercises to help instil the habits essential for fluent reading.
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Ken Johansen Practising
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Graham Fitch Practising
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Graham Fitch Practising
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Lona Kozik Practising
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ReadAhead Practising
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This series of articles will describe how to deconstruct a score and use skeleton practice by way of a number of examples. New articles and examples will be added on an ongoing basis therefore please do watch this space!... Read >>
Graham Fitch Practising
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Read Ahead is an exciting new program that helps piano students to improve their sight-reading ability. This unique curriculum is based on an extensive collection of carefully ordered compositions with related exercises and quizzes that help students develop the mental and tactile skills necessary for fluent sight-reading. This section features Level... Read >>
ReadAhead Practising
Advanced Sight-Reading Curriculum - Part 1
<h3> <a href="/content/pages/132-advanced-sight-reading-curriculum-part-1?bundle_url=online-academy&last_viewed=true">Eye Training</a></h3>Sight-reading begins with sight. Before the inner ear can begin to imagine the sound of a score, before the mind can start to decode the patterns it detects, and before the body can translate these sounds and patterns into physical gestures that transform written notes into music, the eyes must... Read >>
Ken Johansen Practising
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Sight-reading an interesting piece of music is like meeting an interesting person. We enjoy the pleasure of a new encounter, sense perhaps a mutual affinity, and look forward to a deeper acquaintance. This series of articles provides exercises and music aimed at developing confidence in playing at sight and enhancing... Read >>
ReadAhead Practising
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William Westney Practising
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Graham Fitch Practising
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<h3> <a href="/content/pages/144-advanced-sight-reading-curriculum-part-2?bundle_url=online-academy&last_viewed=true">Flexibility</a></h3>To give an interpretation of a piece we have never seen before requires flexibility and demands a willingness to accept wrong notes, technical stumbles, and botched details, in the greater interest of maintaining rhythmic cohesion, following the broad outlines of the score. The second part of our Advanced Sight-Reading Curriculum... Read >>
Ken Johansen Practising
The Body - Wiser than the Mind?
When we make music we experience fascinating integration of body and mind. As essential as it is to master certain well-defined skills (just as athletes do) there can also be moments when we manage to "get out of our own way" – and everything seems to fall into place beautifully.... Read >>
William Westney Practising
Advanced Sight-Reading Curriculum - Part 3
<h3> <a href="/content/pages/184-advanced-sight-reading-curriculum-part-3?bundle_url=online-academy&last_viewed=true">Playing by Ear</a></h3>Although playing by ear might seem to be the opposite of sight-reading, we read with our ears as much as with our eyes. The inner ear helps us to navigate a new score, predict what is coming and improvise when the eyes haven’t had enough time to absorb everything. The... Read >>
Ken Johansen Practising
Quarantine-Spots
A chain is only as strong as its weakest link. If you have spots in your pieces that regularly break down you’re going to need to identify them and isolate these sections so you can do some quality, systematic practice on them. This process I call quarantining, and each extract... Read >>
Graham Fitch Practising
Making Friends With the Notes
<h3> <a href="/content/pages/240-making-friends-with-the-notes?bundle_url=online-academy&last_viewed=true">A Two-Stage Practice Process</a></h3>William Westney presents a common-sense practising approach for achieving an underlying feeling of physical comfort and security at the piano. This powerful, proven strategy is easy to implement and frees us to play ANY piece of music freely, expressively and spontaneously. It can also lead to technical breakthroughs by thoroughly... Read >>
William Westney Practising
Mastering Polyrhythms
A polyrhythm (sometimes referred to as a cross rhythm) is the effect produced when two conflicting rhythms are played together and can prove very challenging indeed! This series of articles will help you tackle them in various ratios, starting with the simplest: two-against-three (2:3) or three-against-two (3:2).... Read >>
Graham Fitch Practising
Advanced Sight-Reading Curriculum
The Advanced Sight-Reading Curriculum is derived from nearly twenty years of experience teaching the freshman sight-reading class for piano majors at the Peabody Conservatory. It consists of an extensive collection of annotated scores dealing with every aspect of sight-reading, together with detailed suggestions on how to practice. It covers everything... Read >>
Ken Johansen Practising
Separate Practice
Learning a complex piece each hand alone before putting the hands together is a strategy favoured by the majority of piano teachers. While it is of course possible to practise a fugue hands separately, this misses the point. Rather than working hands separately, I advocate strands separately (playing each line... Read >>
Graham Fitch Practising
Practising for Long-Term Results
In this video, William Westney demonstrates a remarkably easy technique for mind and body to truly “digest” (and remember) what we’ve practised.... Read >>
William Westney Practising
Warm-Ups Revisited
<h3> <a href="/content/pages/164-warm-ups-revisited?bundle_url=online-academy&last_viewed=true">A Body / Mind Approach</a></h3>In this two-part video lecture, William Westney re-thinks warm-ups and demonstrates an effortless process that takes only a few minutes to ensure successful daily practice.... Read >>
William Westney Practising
Slow Practice
If you’re serious about playing the piano, there’s no getting away from slow practice. It is a cornerstone of our work from the beginner stages right through to the advanced level, and a practice tool also used by professional pianists and seasoned virtuosos all the time. In this section, ... Read >>
Graham Fitch Practising