There’s Even More to Playing the Piano

A practical introduction to advanced music theory

Following on from There's More to Playing the Piano, this course delves into advanced theory beyond Grade 5, covering topics such as harmony, counterpoint, form and even an introduction to jazz!

Contents

Author

David Hall

David Hall is Director of Music at Twyford School in Winchester and Musical Director of Finchcocks Piano Courses. He is a graduate of Cambridge University and a Fellow of the Royal College of Organists.

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There’s More to Playing the Piano

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Aria in F

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Fantasie-Impromptu in C-Sharp Minor (Op. 66)

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Sonatina in G - Second Movement

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Beethoven - Sonata No. 23 in F minor ('Appassionata')

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Sonata No. 8 in C Minor ('Pathétique')

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Sonata Pathétique in C Minor

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Waltz in E Minor (Op. Posth.)

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Sonata in G Major

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Mazurka in G minor (Op. 67 No. 2)

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The mazurka is based on the Polish folk dance that originated in Mazovia, near Warsaw. Chopin wrote more than 50 mazurkas and listening to a variety of them will help develop a sense of the characteristic style. This example, in G minor, was written in the last year of Chopin’s... Read >>


Graham Fitch Repertoire

Nocturne in C-sharp Minor

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Graham Fitch Repertoire

No. 2 from Kinderstücke (Op. 72)

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Intermezzo in A Major (Op. 118 No. 2)

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Nocturne in E-flat

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Frédéric Chopin’s Nocturne in E-flat Op. 9 No. 2, has long been a favourite of both pianists and audiences with it's richly-ornamented melody, supported by exquisite harmonies in the left hand. This From the Ground Up walk-through provides a detailed guide to learning this piece efficiently and with understanding and... Read >>


Ken Johansen Repertoire

Little Prelude in F

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Ken Johansen Repertoire

Toccata

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Solfeggietto in C Minor

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The term “solfeggietto” means an exercise, or little study. This much-loved little piece is a study in evenness of tempo and touch, but it is also a study in composition (how a piece of music may be constructed from the simplest of ideas). This series of videos provides an introduction... Read >>


Graham Fitch Repertoire

Schubert - Impromptu in G-Flat Major (Op. 90 No. 3)

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Graham Fitch Repertoire

Mazurka in A minor (Op.17 No. 4)

A ravishing melody floats in the air above the left hand’s meandering harmonies, creating a haunting, melancholy atmosphere. The second section invites us to a rustic dance but even though the music has now moved to the major key the colour remains dark, the bass drone keeping us grounded. The... Read >>


Graham Fitch Repertoire

A Crash Course in Music Theory

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Mark Polishook Repertoire

The Merry Farmer

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Schumann’s piano music is a joy to play – it is full of inspiration, fantastic contrasts in mood and character as well as beautiful melodies and breathtakingly beautiful harmonies. This series of articles provides notes outlining how to approach learning The Merry Farmer, Returning from Work from the Album for... Read >>


Graham Fitch Repertoire

Allegro Assai (1st movement from Sonata in A major, Wq 55 no. 4)

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CPE Bach’s Sonata in A is full of invention and makes a great alternative to the standard Haydn or Mozart repertoire. Full of contrasts in dynamics and texture, it demands a lot of technical control and precision. In this walkthrough, I look at how CPE Bach embellishes some of the... Read >>


Graham Fitch Repertoire

25 Easy and Progressive Etudes (Op. 100)

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Burgmüller’s 25 Easy and Progressive Etudes, Op. 100 have been a mainstay of elementary étude repertoire for many generations - and deservedly so. I cannot imagine any young pianist or elementary player who would not immediately engage with, or benefit from learning them. This series of articles provides annotations and... Read >>


Graham Fitch Repertoire

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Ken Johansen Repertoire

Partita No. 1 in B-flat Major (BWV 825)

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Arietta

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Edvard Grieg’s Arietta, the first of his many Lyric Pieces, is a miniature gem of great refinement and poetry. This video walkthrough and From the Ground Up edition will help intermediate to advanced students to understand and communicate its expression, while learning some practice methods that can be applied to... Read >>


Graham Fitch, Ken Johansen Repertoire

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Graham Fitch Repertoire

Intermezzo in E major (Op. 116 No. 6)

<h3> <a href="/content/pages/186-intermezzo-in-e-major-op-116-no-6?bundle_url=online-academy&amp;last_viewed=true">Walkthrough</a></h3>

Brahms’ late piano pieces are among his most personal and intimate music. This bittersweet, nostalgic Intermezzo is from the set of Fantasies, Op. 116, completed in 1892. Within the progression of harmonies in the outer sections we discover interweaving melodic lines; imagine a dialogue between a violin and a viola... Read >>


Graham Fitch Repertoire

Sonata No. 17 in D Minor ('Tempest')

<h3> <a href="/content/pages/205-sonata-no-17-in-d-minor-tempest?bundle_url=online-academy&amp;last_viewed=true">(Op. 31 No. 2) </a></h3>

Concert pianist and piano professor Julian Jacobson gives a guided tour of Beethoven's Tempest Sonata, Op. 31 No. 2. In this detailed lecture performance, Julian gives insights on style and interpretation with further tips and suggestions for fingering and tackling some of the technical challenges!... Read >>


Julian Jacobson Repertoire

Waltz in A minor

<h3> <a href="/content/pages/106-waltz-in-a-minor?bundle_url=online-academy&amp;last_viewed=true">Trinity College - Grade 4</a></h3>

Grieg’s Waltz in A minor is full of character and contrasts, and not without its challenges - especially concerning how to use the pedal. In this video I show how to organise the pedalling in order to make some of the joins possible without covering over Grieg’s slurs and staccato... Read >>


Graham Fitch Repertoire

Two Short Pieces

This series features two popular short pieces by William Alwyn, The Sun is Setting and The Sea is Angry which are both ideal for the intermediate level.... Read >>


Graham Fitch Repertoire

Allegro (from Fantasia no. 1 in D major)

<h3> <a href="/content/pages/108-allegro-from-fantasia-no-1-in-d-major?bundle_url=online-academy&amp;last_viewed=true">Trinity College - Grade 6</a></h3>

Georg Philipp Telemann's Fantasia in D major, on Trinity’s Grade 6 alternative syllabus, is a worthy piece and a lot of fun to play. This video shows some of the principles involved in making decisions regarding dynamics, articulation, touch and expression and looks at several options for interpretation based on... Read >>


Graham Fitch Repertoire

Beethoven on Board

Presented by pianist and captain of The Piano Boat, this series features detailed walk-throughs for Beethoven's piano sonatas, exploring background, style, interpretation, technical challenges and practice methods ultimately for each work.... Read >>


Masayuki Tayama Repertoire

Intermezzo in A Minor (Op. 76 No. 7)

<h3> <a href="/content/pages/51-intermezzo-in-a-minor-op-76-no-7?bundle_url=online-academy&amp;last_viewed=true">ABRSM Grade 8 – C2</a></h3>

Brahms’s sets of miniatures are among the best-loved shorter works for the piano. The Intermezzo in A minor, op. 76 no. 7, is currently on the ABRSM Grade VIII syllabus, and will pose several challenges for those who wish to master it. This walkthrough and Annotated Study Edition has a... Read >>


Graham Fitch Repertoire

Intermezzo in E-Flat (Op. 117 No. 1)

This set of pieces was described by Brahms as “lullaby to my sorrows” and the first of the set of three certainly conveys a sense of a rocking motion. In this video, Graham Fitch demonstrates how to bring out the melody in the inner (middle) voices of this piece.... Read >>


Graham Fitch Repertoire

Knight Rupert (Album for the Young No. 12)

Knight Rupert, No. 12 from Schumann’s Album for the Young, Op. 68, is a favourite recital piece for the intermediate player, and great fun to play. The rousing A section contrasts beautifully with the more lyrical B section. This video walkthrough and article shows how to use quarantining and other... Read >>


Graham Fitch Repertoire

Jacques Ibert - Little White Donkey

Le petit âne blanc (The Little White Donkey) is the second piece from Jacquest Ibert’s set of ten pieces entitled Histoires and requires plenty of imagination to play it with the necessary colour and vibrancy. This video walkthrough and article shows how to use quarantining and other practice tools to... Read >>


Graham Fitch Repertoire

Sonatina in G - First Movement

This walkthrough of the first movement of Beethoven’s popular Sonatina in G will help students to assimilate essential elements of the Classical style: articulation, balance, ornamentation, and clear phrasing. The series of reduced scores provides students with a step-by-step approach to learning the piece, and makes it easier for teachers... Read >>


Ken Johansen Repertoire

Minuet in D major, K. 355

<h3> <a href="/content/pages/109-minuet-in-d-major-k-355?bundle_url=online-academy&amp;last_viewed=true">Trinity College - Grade 7</a></h3>

Mozart’s Minuet in D, K. 355 features chromaticism that is surprising even to our ears (imagine what it must have sounded like to the listener of the day!). The piece is conceived as an ensemble piece for string trio, and we need to have this sound in our ear as... Read >>


Graham Fitch Repertoire

Sostenuto in E flat

<h3> <a href="/content/pages/39-sostenuto-in-e-flat?bundle_url=online-academy&amp;last_viewed=true">ABRSM Grade 5 – B1</a></h3>

Chopin's Sostenuto in E flat or Waltz in E flat was discovered as recently as 1941, by the Director of the Paris Conservatoire, Dr. Jacques Chailley. There are precious few works of Chopin that are suitable for the intermediate level pianist, so Grade V candidates will be extremely happy to... Read >>


Graham Fitch Repertoire

Diabelli - Moderato Cantabile (from Sonatina in F major, Op. 168 No. 1)

<h3> <a href="/content/pages/98-diabelli-moderato-cantabile-from-sonatina-in-f-major-op-168-no-1?bundle_url=online-academy&amp;last_viewed=true">Trinity College - Grade 5 (Alternative)</a></h3>

The first movement (Moderato) of Diabelli’s appealing Sonatina in F is a model of sonata form in miniature, an ideal way to teach form and structure to the intermediate pianist. In this video I demonstrate the art of finger pedalling in the left hand alberti patterns and show how to... Read >>


Graham Fitch Repertoire

Prelude in C-sharp Minor

<h3> <a href="/content/pages/62-prelude-in-c-sharp-minor?bundle_url=online-academy&amp;last_viewed=true">(Op. 3 No. 2)</a></h3>

A series of three videos exploring Rachmaninov’s famous Prelude in C-sharp Minor (Op. 3 No. 2) at the piano, with extensive practice tips to solve the technical issues, pedalling suggestions and thoughts on performance – including how to achieve a big sound effortlessly without banging or harshness.... Read >>


Graham Fitch Repertoire

Ecossaise in E-Flat (No. 4 from Six Ecossaises, WoO 83)

<h3> <a href="/content/pages/157-ecossaise-in-e-flat-no-4-from-six-ecossaises-woo-83?bundle_url=online-academy&amp;last_viewed=true">ABRSM Grade 3 – A1</a></h3>

A lively dance in 2/4 time, an ecossaise is actually the French word for “Scottish”! Flexibility in the right hand is necessary to avoid tension, and flexibility in the pulse (while not indicated in the score) is essential to bring grace and elegance at the start, and then some forward... Read >>


Graham Fitch Repertoire

Intermezzo in B minor (Op. 119 No. 1)

<h3> <a href="/content/pages/101-intermezzo-in-b-minor-op-119-no-1?bundle_url=online-academy&amp;last_viewed=true">Trinity College - Grade 8</a></h3>

In 1893, Brahms wrote his last work for the piano, a set of four piano pieces, op. 119. The Intermezzo in B minor is the first piece of the set. As a composition it is full of riches, arousing keen interest in composers and scholars (including Arnold Schoenberg) as they... Read >>


Graham Fitch Repertoire

From the Ground Up

From the Ground Up is a series devoted to learning individual pieces using outlines and reduced scores that help you to practise more effectively, memorize more consciously, and interpret music more creatively.... Read >>


Ken Johansen Repertoire

Fantasy in D Minor K397

This video provides a section by section waltkthrough of Mozart's Fantasy in D Minor K397 (sometimes referred to as Fantasia).... Read >>


Graham Fitch Repertoire

Lyric Pieces

<h3> <a href="/content/pages/2-lyric-pieces?bundle_url=online-academy&amp;last_viewed=true">(Op. 54)</a></h3>

Grieg wrote his famous Nocturne (Night Piece) in the summer of 1891 during his annual country retreat to the Norwegian mountains and fjords. Along with five other pieces, he included the Nocturne in Book V of his Lyric Pieces, Op. 54.... Read >>


Graham Fitch Repertoire

Prelude in B Minor (Op. 28 No. 6)

<h3> <a href="/content/pages/113-prelude-in-b-minor-op-28-no-6?bundle_url=online-academy&amp;last_viewed=true">ABRSM Grade 6 - B2</a></h3>

Chopin’s dark, somber Prélude in B minor is much more difficult to play than it looks. This video demonstrates how to approach this piece technically and musically with particular attention to the pedalling which requires a lot of thought... Read >>


Graham Fitch Repertoire

Tarantella (No. 4 from Musiques d’enfants, Op. 65)

<h3> <a href="/content/pages/159-tarantella-no-4-from-musiques-denfants-op-65-?bundle_url=online-academy&amp;last_viewed=true">ABRSM Grade 5 – C3</a></h3>

Prokoviev’s Music for Children was composed in 1935 and contains 12 pieces with descriptive titles. The Tarantella is one of the best examples of this type of dance piece, featuring spinning patterns in both hands and plenty of quirky harmonic and rhythmic features that make Prokoviev’s style so engaging.... Read >>


Graham Fitch Repertoire

Prelude in C minor (BWV 999)

<h3> <a href="/content/pages/158-prelude-in-c-minor-bwv-999?bundle_url=online-academy&amp;last_viewed=true">ABRSM Grade 4 – A1</a></h3>

Built from a harmonic progression and originally written for lute we can recreate some of the resonance of that instrument either by short touches of pedal, or by overholding some notes of the broken chords.... Read >>


Graham Fitch Repertoire

Invention in D Minor No. 4 (BWV 775)

Bach's Inventions (in two parts) and the Sinfonias (in three parts) were written for the Bach’s eldest son, Wilhelm Friedemann and are played throughout the world by intermediate players and concert artists alike. This video walkthrough and article shows how to use quarantining and other practice tools to approach two... Read >>


Graham Fitch Repertoire

Für Elise

<h3> <a href="/content/pages/140-fr-elise?bundle_url=online-academy&amp;last_viewed=true">(Bagatelle No. 25 in A Minor)</a></h3>

This evergreen miniature of Beethoven scarcely needs any introduction at all, since Für Elise is known to the world at large. What beginning piano student does not itch to play it, pestering their teacher long before they are ready? This video walkthrough and article shows how to use quarantining and... Read >>


Graham Fitch Repertoire

Elgar - Andantino (First movement from Sonatina)

<h3> <a href="/content/pages/118-elgar-andantino-first-movement-from-sonatina?bundle_url=online-academy&amp;last_viewed=true">Trinity College - Grade 4</a></h3>

Here we find the first movement of a two-movement sonatina that Elgar wrote for his niece. It is song-like and gently expressive, calling for sensitivity in shaping phrases and timing larger melodic intervals. The Andantino demands careful listening in the balancing of the hands, the accompanying left hand, while quieter,... Read >>


Graham Fitch Repertoire