Perhaps due to the fact that Beethoven omitted a scherzo movement at this point, we have a somewhat light-textured opening to this movement, though with a unique colour created from the unison writing. Nevertheless, his temperament does not allow the character to stay the same for long and much contrast is seen within this relatively brief movement. Abrupt changes of mood and dynamics all require careful thought, practice and facilitation within a demanding two-in-a-bar Prestissimo.
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Masayuki Tayama has maintained a highly active schedule as both international recitalist and concerto soloist. Tayama’s Wigmore Hall debut early in his career was a sell-out, and he continues to appear regularly at eminent London venues, including Queen Elizabeth Hall, Cadogan Hall and St. John Smith’s Square. He has taught some of the country’s aspiring pianists as tutor at Chetham’s School of Music, and his teaching incorporates the method taught by Sumiko Mikimoto on tone production, muscle relaxation and training for pianists. In 2020, he was appointed Director of the Piano Teachers’ Course UK, the country’s leading professional development course for piano pedagogy. Tayama is also currently in the midst of a project to record Rachmaninov’s complete works for solo piano.
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