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Deconstructing the Score (6)
Skeleton Outlines: Playing One Hand While Making Varied Skeletons of The Other
Mozart: Sonata in C, K545 To return to the Mozart K545 example, in the second phrase we can make a skeleton of the RH scale patterns by playing the lowest and highest notes of each scale only. This is valuable as an interim stage, since it is shows the simple design of the music and eliminates the technical difficulty of managing the semiquavers. It also makes it much easier to put hands together. The original: A basic skeleton RH version: And a fuller skeleton version: You might proceed with another skeleton...Sign in to view if you have purchased access to this content or see purchase options below.
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Graham Fitch
Graham Fitch, based in London, maintains an international career not only as a pianist, but also as a teacher, adjudicator, examiner, lecturer, writer and commentator on piano playing and musical subjects.
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Graham Fitch Practising
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The Advanced Sight-Reading Curriculum is derived from nearly twenty years of experience teaching the freshman sight-reading class for piano majors at the Peabody Conservatory. It consists of an extensive collection of annotated scores dealing with every aspect of sight-reading, together with detailed suggestions on how to practice. It covers everything... Read >>
Ken Johansen Practising
Quarantine-Spots
A chain is only as strong as its weakest link. If you have spots in your pieces that regularly break down you’re going to need to identify them and isolate these sections so you can do some quality, systematic practice on them. This process I call quarantining, and each extract... Read >>
Graham Fitch Practising
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William Westney Practising
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Graham Fitch Practising
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William Westney Practising
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William Westney Practising
Slow Practice
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Graham Fitch Practising