Practice Tools

Luxuriant Piano Playing

A Wellness Philosophy and Practice

In these excerpts from his presentation at NCKP 2021, William Westney shows that whether we are concert performers or beginners, we can all luxuriate in free-flowing, generous, comfortable, unfettered, and unforced movements that “feel great” at the piano.... Read >>

How and When to Use Slow Practice

I have noticed some folk think they are beyond slow practice – that’s something only beginners do. Far from it! One of the twentieth century’s great pianists, Sergei Rachmaninov practised so slowly that even his colleagues didn’t recognise the piece. This was not music he was learning from scratch, but something he had performed many times and was practising slowly in order to keep it in good shape. If you’re serious about playing the piano, there’s no getting away from slow practice. It is a cornerstone of our work from the beginner stages right through to the advanced level, and... Read >>

The Practice Tools Lecture Series

Without an understanding how to approach practising the piano, day-to-day practice can often be unfocussed and unproductive. In this series of video lectures, I identify and explore various practice tools that will help pianists of any level get the most out of their time spent practising.... Read >>

Practising for Long-Term Results

In this video, William Westney demonstrates a remarkably easy technique for mind and body to truly “digest” (and remember) what we’ve practised.... Read >>

Warm-Ups Revisited

A Body / Mind Approach

In this two-part video lecture, William Westney re-thinks warm-ups and demonstrates an effortless process that takes only a few minutes to ensure successful daily practice.... Read >>

Skeleton Practice

This series of articles will describe how to deconstruct a score and use skeleton practice by way of a number of examples. New articles and examples will be added on an ongoing basis therefore please do watch this space!... Read >>

Making Friends With the Notes

A Two-Stage Practice Process

William Westney presents a common-sense practising approach for achieving an underlying feeling of physical comfort and security at the piano. This powerful, proven strategy is easy to implement and frees us to play ANY piece of music freely, expressively and spontaneously. It can also lead to technical breakthroughs by thoroughly... Read >>

An Overview of the Practice Tools

This series of articles serves as an introduction to Graham Fitch’s practice tools, including how to approach a new piece and the Three Ss.... Read >>

The Practice Stepladder

Learning a complex piece each hand alone before putting the hands together is a strategy favoured by the majority of piano teachers. While it is of course possible to practise a fugue hands separately, this misses the point. Rather than working hands separately, I advocate strands separately (playing each line of counterpoint by itself) before combining the voices in pairs. Time consuming? Yes, but well worth it, as you will discover! The following is the process for a 3-voice fugue: First, practise each voice alone with the fingering and the articulation you will end up using to the end... Read >>