Sonata Pathétique in C Minor

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Second Movement (2)

To avoid unwanted RH accents in the line from bar 17, we need to listen to the tone that remains from the long note and match it up with the first of the semiquavers. The ornaments in bars 20 and 21 can be confusing; we will certainly need to organise them rhythmically to avoid coming unstuck here. There are a few different options that I demonstrate here.