25 Easy and Progressive Etudes (Op. 100)

5. Innocence in F Major

The tempo is moderate (crotchet = c.100) and the mood graceful. The short RH slurs imply a very slight stress on the ﬁrst note of each group. A very delicate touch is called for here, the ﬁnger tips active and the wrist ﬂexible. This supplementary exercise helps develop the touch. This tapping exercise is useful to secure the hand positions for the progression of chords. Keep ﬁngers close to the keys, and make sure the wrist stays free at all times. Play the expressive sighs in the RH using a...

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Song Without Words (Op. 19b, No. 1)

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Mazurka in A minor (Op.17 No. 4)

A ravishing melody floats in the air above the left hand’s meandering harmonies, creating a haunting, melancholy atmosphere. The second section invites us to a rustic dance but even though the music has now moved to the major key the colour remains dark, the bass drone keeping us grounded. The... Read >>

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Impromptus D899 (Op. 90)

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Minuet in D major, K. 355

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The first movement (Moderato) of Diabelli’s appealing Sonatina in F is a model of sonata form in miniature, an ideal way to teach form and structure to the intermediate pianist. In this video I demonstrate the art of finger pedalling in the left hand alberti patterns and show how to... Read >>

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Ecossaise in E-Flat (No. 4 from Six Ecossaises, WoO 83)

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A lively dance in 2/4 time, an ecossaise is actually the French word for “Scottish”! Flexibility in the right hand is necessary to avoid tension, and flexibility in the pulse (while not indicated in the score) is essential to bring grace and elegance at the start, and then some forward... Read >>

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Intermezzo in B minor (Op. 119 No. 1)

<h3> <a href="/content/pages/101-intermezzo-in-b-minor-op-119-no-1?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 8</a></h3>

In 1893, Brahms wrote his last work for the piano, a set of four piano pieces, op. 119. The Intermezzo in B minor is the first piece of the set. As a composition it is full of riches, arousing keen interest in composers and scholars (including Arnold Schoenberg) as they... Read >>

Graham Fitch Repertoire

Intermezzo in E-Flat (Op. 117 No. 1)

This set of pieces was described by Brahms as “lullaby to my sorrows” and the first of the set of three certainly conveys a sense of a rocking motion. In this video, Graham Fitch demonstrates how to bring out the melody in the inner (middle) voices of this piece.... Read >>

Graham Fitch Repertoire

Beethoven on Board

Presented by pianist and captain of The Piano Boat, this series features detailed walk-throughs for Beethoven's piano sonatas, exploring background, style, interpretation, technical challenges and practice methods ultimately for each work.... Read >>

Masayuki Tayama Repertoire

Jacques Ibert - Little White Donkey

Le petit âne blanc (The Little White Donkey) is the second piece from Jacquest Ibert’s set of ten pieces entitled Histoires and requires plenty of imagination to play it with the necessary colour and vibrancy. This video walkthrough and article shows how to use quarantining and other practice tools to... Read >>

Graham Fitch Repertoire

Waltz in A minor

<h3> <a href="/content/pages/106-waltz-in-a-minor?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 4</a></h3>

Grieg’s Waltz in A minor is full of character and contrasts, and not without its challenges - especially concerning how to use the pedal. In this video I show how to organise the pedalling in order to make some of the joins possible without covering over Grieg’s slurs and staccato... Read >>

Graham Fitch Repertoire

Fanfarinette and La Triomphante (from Suite in A minor)

<h3> <a href="/content/pages/121-fanfarinette-and-la-triomphante-from-suite-in-a-minor?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 8</a></h3>

Jean-Philippe Rameau was an important composer and theorist of the High Baroque. He wrote three books of very fine pieces for harpsichord - Fanfarinette and La Triomphante come from the Suite in A minor (third book), and are examples of character pieces with descriptive or fanciful titles typical of the... Read >>

Graham Fitch Repertoire

Fantasy in D Minor K397

This video provides a section by section waltkthrough of Mozart's Fantasy in D Minor K397 (sometimes referred to as Fantasia).... Read >>

Graham Fitch Repertoire

Knight Rupert (Album for the Young No. 12)

Knight Rupert, No. 12 from Schumann’s Album for the Young, Op. 68, is a favourite recital piece for the intermediate player, and great fun to play. The rousing A section contrasts beautifully with the more lyrical B section. This video walkthrough and article shows how to use quarantining and other... Read >>

Graham Fitch Repertoire

Schubert - Impromptu in G-Flat Major (Op. 90 No. 3)

Schubert’s Impromptu in G-flat major is part of the first set of impromptus composed shortly before his death in 1828. The piece showcases Schubert's mastery of maintaining a single texture throughout, with a lyrical melody in the upper voice, rippling triplet figures in the middle and a supportive bassline. In... Read >>

Graham Fitch Repertoire

From the Ground Up

From the Ground Up is a series devoted to learning individual pieces using outlines and reduced scores that help you to practise more effectively, memorize more consciously, and interpret music more creatively.... Read >>

Ken Johansen Repertoire

Prelude in B Minor (Op. 28 No. 6)

<h3> <a href="/content/pages/113-prelude-in-b-minor-op-28-no-6?bundle_url=online-academy&last_viewed=true">ABRSM Grade 6 - B2</a></h3>

Chopin’s dark, somber Prélude in B minor is much more difficult to play than it looks. This video demonstrates how to approach this piece technically and musically with particular attention to the pedalling which requires a lot of thought... Read >>

Graham Fitch Repertoire

Allegro molto (3rd movement from Sonata in C major, Hob. XVI:50)

<h3> <a href="/content/pages/119-allegro-molto-3rd-movement-from-sonata-in-c-major-hob-xvi50?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 7</a></h3>

This is the last movement of the so-called “English” Sonata in C, inspired by the powerful and resonant Broadwood pianos Haydn encountered on a visit to London in the 1790s. The music is full of humour and lightness of spirit, requiring a sense of comic timing, clarity of texture and... Read >>

Graham Fitch Repertoire

Intermezzo in E major (Op. 116 No. 6)

<h3> <a href="/content/pages/186-intermezzo-in-e-major-op-116-no-6?bundle_url=online-academy&last_viewed=true">Walkthrough</a></h3>

Brahms’ late piano pieces are among his most personal and intimate music. This bittersweet, nostalgic Intermezzo is from the set of Fantasies, Op. 116, completed in 1892. Within the progression of harmonies in the outer sections we discover interweaving melodic lines; imagine a dialogue between a violin and a viola... Read >>

Graham Fitch Repertoire

No. 2 from Kinderstücke (Op. 72)

<h3> <a href="/content/pages/120-no-2-from-kinderstcke-op-72?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 7</a></h3>

Mendelssohn wrote his set of six Children’s Pieces, op. 72 for his young relatives during his summer holiday to England in 1842. No. 2, an andante sostenuto in the key of E flat, close in spirit to the composer’s many Songs without Words, features a lyrical melody in the right... Read >>

Graham Fitch Repertoire

Tarantella (No. 4 from Musiques d’enfants, Op. 65)

<h3> <a href="/content/pages/159-tarantella-no-4-from-musiques-denfants-op-65-?bundle_url=online-academy&last_viewed=true">ABRSM Grade 5 – C3</a></h3>

Prokoviev’s Music for Children was composed in 1935 and contains 12 pieces with descriptive titles. The Tarantella is one of the best examples of this type of dance piece, featuring spinning patterns in both hands and plenty of quirky harmonic and rhythmic features that make Prokoviev’s style so engaging.... Read >>

Graham Fitch Repertoire

Prelude in C minor (BWV 999)

<h3> <a href="/content/pages/158-prelude-in-c-minor-bwv-999?bundle_url=online-academy&last_viewed=true">ABRSM Grade 4 – A1</a></h3>

Built from a harmonic progression and originally written for lute we can recreate some of the resonance of that instrument either by short touches of pedal, or by overholding some notes of the broken chords.... Read >>

Graham Fitch Repertoire

Invention in D Minor No. 4 (BWV 775)

Bach's Inventions (in two parts) and the Sinfonias (in three parts) were written for the Bach’s eldest son, Wilhelm Friedemann and are played throughout the world by intermediate players and concert artists alike. This video walkthrough and article shows how to use quarantining and other practice tools to approach two... Read >>

Graham Fitch Repertoire

Für Elise

<h3> <a href="/content/pages/140-fr-elise?bundle_url=online-academy&last_viewed=true">(Bagatelle No. 25 in A Minor)</a></h3>

This evergreen miniature of Beethoven scarcely needs any introduction at all, since Für Elise is known to the world at large. What beginning piano student does not itch to play it, pestering their teacher long before they are ready? This video walkthrough and article shows how to use quarantining and... Read >>

Graham Fitch Repertoire

Elgar - Andantino (First movement from Sonatina)

<h3> <a href="/content/pages/118-elgar-andantino-first-movement-from-sonatina?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 4</a></h3>

Here we find the first movement of a two-movement sonatina that Elgar wrote for his niece. It is song-like and gently expressive, calling for sensitivity in shaping phrases and timing larger melodic intervals. The Andantino demands careful listening in the balancing of the hands, the accompanying left hand, while quieter,... Read >>

Graham Fitch Repertoire

25 Easy and Progressive Etudes (Op. 100)

5. Innocence in F Major

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