Sonata Pathétique in C Minor

Third Movement (2)

The last spot I want to look at is from bar 105, for the sake of matching the pulse at the sudden change of texture and note value in bar 107.

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Ecossaise in E-Flat (No. 4 from Six Ecossaises, WoO 83)

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A lively dance in 2/4 time, an ecossaise is actually the French word for “Scottish”! Flexibility in the right hand is necessary to avoid tension, and flexibility in the pulse (while not indicated in the score) is essential to bring grace and elegance at the start, and then some forward... Read >>

Graham Fitch Repertoire

Lyric Pieces

Grieg wrote his famous Nocturne (Night Piece) in the summer of 1891 during his annual country retreat to the Norwegian mountains and fjords. Along with five other pieces, he included the Nocturne in Book V of his Lyric Pieces, Op. 54.... Read >>

Graham Fitch Repertoire

Fanfarinette and La Triomphante (from Suite in A minor)

<h3> <a href="/content/pages/121-fanfarinette-and-la-triomphante-from-suite-in-a-minor?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 8</a></h3>

Jean-Philippe Rameau was an important composer and theorist of the High Baroque. He wrote three books of very fine pieces for harpsichord - Fanfarinette and La Triomphante come from the Suite in A minor (third book), and are examples of character pieces with descriptive or fanciful titles typical of the... Read >>

Graham Fitch Repertoire

From the Ground Up

From the Ground Up is a series devoted to learning individual pieces using outlines and reduced scores that help you to practise more effectively, memorize more consciously, and interpret music more creatively.... Read >>

Ken Johansen Repertoire

Fantasy in D Minor K397

This video provides a section by section waltkthrough of Mozart's Fantasy in D Minor K397 (sometimes referred to as Fantasia).... Read >>

Graham Fitch Repertoire

Knight Rupert (Album for the Young No. 12)

Knight Rupert, No. 12 from Schumann’s Album for the Young, Op. 68, is a favourite recital piece for the intermediate player, and great fun to play. The rousing A section contrasts beautifully with the more lyrical B section. This video walkthrough and article shows how to use quarantining and other... Read >>

Graham Fitch Repertoire

Sonata in G Major

<h3> <a href="/content/pages/97-sonata-in-g-major?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 3</a></h3>

Here is an opportunity for the developing player to explore various possibilities for touch and articulation. In this short sonata there are also several technical challenges to overcome, including jumps, rotary freedom, delicate grace notes.... Read >>

Graham Fitch Repertoire

Camidge - Scherzando (Second movement from Sonata no. 1 in G major)

<h3> <a href="/content/pages/107-camidge-scherzando-second-movement-from-sonata-no-1-in-g-major?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 5</a></h3>

Matthew Camidge's Scherzando in G is a worthy example of Classical period music, a light-natured piece full of melodic embellishments, opportunities for variety in phrase shaping, articulation and dynamic colouring. In this video I demonstrate solutions for the fast repeated notes we find in the B section, and show how... Read >>

Graham Fitch Repertoire

Prelude in B Minor (Op. 28 No. 6)

<h3> <a href="/content/pages/113-prelude-in-b-minor-op-28-no-6?bundle_url=online-academy&last_viewed=true">ABRSM Grade 6 - B2</a></h3>

Chopin’s dark, somber Prélude in B minor is much more difficult to play than it looks. This video demonstrates how to approach this piece technically and musically with particular attention to the pedalling which requires a lot of thought... Read >>

Graham Fitch Repertoire

Allegro molto (3rd movement from Sonata in C major, Hob. XVI:50)

<h3> <a href="/content/pages/119-allegro-molto-3rd-movement-from-sonata-in-c-major-hob-xvi50?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 7</a></h3>

This is the last movement of the so-called “English” Sonata in C, inspired by the powerful and resonant Broadwood pianos Haydn encountered on a visit to London in the 1790s. The music is full of humour and lightness of spirit, requiring a sense of comic timing, clarity of texture and... Read >>

Graham Fitch Repertoire

Intermezzo in E major (Op. 116 No. 6)

<h3> <a href="/content/pages/186-intermezzo-in-e-major-op-116-no-6?bundle_url=online-academy&last_viewed=true">Walkthrough</a></h3>

Brahms’ late piano pieces are among his most personal and intimate music. This bittersweet, nostalgic Intermezzo is from the set of Fantasies, Op. 116, completed in 1892. Within the progression of harmonies in the outer sections we discover interweaving melodic lines; imagine a dialogue between a violin and a viola... Read >>

Graham Fitch Repertoire

No. 2 from Kinderstücke (Op. 72)

<h3> <a href="/content/pages/120-no-2-from-kinderstcke-op-72?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 7</a></h3>

Mendelssohn wrote his set of six Children’s Pieces, op. 72 for his young relatives during his summer holiday to England in 1842. No. 2, an andante sostenuto in the key of E flat, close in spirit to the composer’s many Songs without Words, features a lyrical melody in the right... Read >>

Graham Fitch Repertoire

Tarantella (No. 4 from Musiques d’enfants, Op. 65)

<h3> <a href="/content/pages/159-tarantella-no-4-from-musiques-denfants-op-65-?bundle_url=online-academy&last_viewed=true">ABRSM Grade 5 – C3</a></h3>

Prokoviev’s Music for Children was composed in 1935 and contains 12 pieces with descriptive titles. The Tarantella is one of the best examples of this type of dance piece, featuring spinning patterns in both hands and plenty of quirky harmonic and rhythmic features that make Prokoviev’s style so engaging.... Read >>

Graham Fitch Repertoire

Prelude in C minor (BWV 999)

<h3> <a href="/content/pages/158-prelude-in-c-minor-bwv-999?bundle_url=online-academy&last_viewed=true">ABRSM Grade 4 – A1</a></h3>

Built from a harmonic progression and originally written for lute we can recreate some of the resonance of that instrument either by short touches of pedal, or by overholding some notes of the broken chords.... Read >>

Graham Fitch Repertoire

Invention in D Minor No. 4 (BWV 775)

Bach's Inventions (in two parts) and the Sinfonias (in three parts) were written for the Bach’s eldest son, Wilhelm Friedemann and are played throughout the world by intermediate players and concert artists alike. This video walkthrough and article shows how to use quarantining and other practice tools to approach two... Read >>

Graham Fitch Repertoire

Für Elise

<h3> <a href="/content/pages/140-fr-elise?bundle_url=online-academy&last_viewed=true">(Bagatelle No. 25 in A Minor)</a></h3>

This evergreen miniature of Beethoven scarcely needs any introduction at all, since Für Elise is known to the world at large. What beginning piano student does not itch to play it, pestering their teacher long before they are ready? This video walkthrough and article shows how to use quarantining and... Read >>

Graham Fitch Repertoire

Elgar - Andantino (First movement from Sonatina)

<h3> <a href="/content/pages/118-elgar-andantino-first-movement-from-sonatina?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 4</a></h3>

Here we find the first movement of a two-movement sonatina that Elgar wrote for his niece. It is song-like and gently expressive, calling for sensitivity in shaping phrases and timing larger melodic intervals. The Andantino demands careful listening in the balancing of the hands, the accompanying left hand, while quieter,... Read >>

Graham Fitch Repertoire

Sonata Pathétique in C Minor

Third Movement (2)

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