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Yoga for Musicians

In this collection of videos, Penelope Roskell demonstrates clearly and concisely how yoga principles can be applied directly to instrumental playing, and how playing can be more fluid, powerful and emotionally expressive. Suitable for musicians of any age; from beginner to professional; Classical, jazz, folk and pop, the exercises demonstrated... Read >>


Penelope Roskell Technique Healthy playing

25 Easy and Progressive Etudes

(Op. 100)

Burgmüller’s 25 Easy and Progressive Etudes, Op. 100 have been a mainstay of elementary étude repertoire for many generations - and deservedly so. I cannot imagine any young pianist or elementary player who would not immediately engage with, or benefit from learning them. This series of videos provides walkthroughs of... Read >>


Healthy Piano Playing

Piano playing is a deeply satisfying artistic activity, but it can also be very demanding physically on our arms and hands. Just as elite athletes understand and care for their bodies, so should pianists think carefully about their approach to playing and practising. A healthy piano technique not only avoids... Read >>


Penelope Roskell Technique Healthy playing

Sonata Pathétique in C Minor

(Op. 13)

If you have ever struggled with Beethoven’s Pathétique Sonata, this series of 11 videos is designed to help you solve some of the main technical and interpretative problems the work poses so that you will be better able to bring out the drama and intensity of the music as you... Read >>


Graham Fitch Learning pieces Beethoven

Quarantine-Spots

A chain is only as strong as its weakest link. If you have spots in your pieces that regularly break down you’re going to need to identify them and isolate these sections so you can do some quality, systematic practice on them. This process I call quarantining, and each extract... Read >>


Graham Fitch Practising Practice tools

Jacques Ibert - Little White Donkey

Le petit âne blanc (The Little White Donkey) is the second piece from Jacquest Ibert’s set of ten pieces entitled Histoires and requires plenty of imagination to play it with the necessary colour and vibrancy. This video walkthrough and article shows how to use quarantining and other practice tools to... Read >>


Graham Fitch Learning pieces Ibert

Fantasie-Impromptu in C-Sharp Minor

(Op. 66)

A series of detailed video demonstrations on solving the various challenges posed by Chopin's Fantasie-Impromptu, with a special focus on the three-against-four polyrhythm.... Read >>


Graham Fitch Learning pieces Chopin

Foundations of Good Technique

Teaching and problem solving

In these video lectures Ilga shares her experience on how to teach good pianistic habits and ease of movements from the start, and how to tackle problems in piano playing caused by lack of flexibility. Ease of movement helps not only to avoid tension and unnecessary rigidness in piano playing,... Read >>


Ilga Pitkevica Teaching

Invention in D Minor No. 4 (BWV 775)

Bach's Inventions (in two parts) and the Sinfonias (in three parts) were written for the Bach’s eldest son, Wilhelm Friedemann and are played throughout the world by intermediate players and concert artists alike. This video walkthrough and article shows how to use quarantining and other practice tools to approach two... Read >>


Graham Fitch Learning pieces Bach

Create First! - Part 1

Learning Music the Pattern Play Way

An introductory Pattern Play series that introduces the materials of music (scales, intervals, and chords) in creative and musical ways.... Read >>


Forrest Kinney Performing Improvisation

The Art of Piano Fingering

A thorough understanding of the principles of good fingering is a vital basis for good piano playing. Without comfortable, musically appropriate fingerings, we can waste hours of practice time trying to remedy a problem which could have been averted much earlier. In this series of articles, author Penelope Roskell... Read >>


Penelope Roskell Technique Fingering

Making Progress with Beginners

In these video lectures based on the Piano Teachers' Course, Ilga Pitkevica shares effective strategies from her own experience in making quick progress with developing sight reading, teaching scales and building the foundations of speed with beginners.... Read >>


Ilga Pitkevica Teaching

Anyone Can Improvise!

Dedicated to helping everyone play the music they love and long to play, Lucinda Mackworth-Young introduces her step-by-step system for learning to play by ear and improvise, so that even classically trained piano players can play spontaneously, anywhere, anytime - and say “Yes!” when asked to play Happy Birthday!... Read >>


Lucinda Mackworth-Young Performing Improvisation

Read Ahead - Level 2

Sightreading for the Modern Musician

Read Ahead is an exciting new program that helps piano students to improve their sight-reading ability. This unique curriculum is based on an extensive collection of carefully ordered compositions with related exercises and quizzes that help students develop the mental and tactile skills necessary for fluent sight-reading. This section features Level... Read >>


Read Ahead - Level 3

Sightreading for the Modern Musician

Read Ahead is an exciting new program that helps piano students to improve their sight-reading ability. This unique curriculum is based on an extensive collection of carefully ordered compositions with related exercises and quizzes that help students develop the mental and tactile skills necessary for fluent sight-reading. This section features Level... Read >>


Read Ahead - Level 1

Read Ahead is an exciting new program that helps piano students to improve their sight-reading ability. This unique curriculum is based on an extensive collection of carefully ordered compositions with related exercises and quizzes that help students develop the mental and tactile skills necessary for fluent sight-reading. This section features Level... Read >>


The Practice Tools Lecture Series

Without an understanding how to approach practising the piano, day-to-day practice can often be unfocussed and unproductive. In this series of video lectures, I identify and explore various practice tools that will help pianists of any level get the most out of their time spent practising.... Read >>


Graham Fitch Practising Practice tools

Rigaudon

Trinity College - Grade 2

A rigaudon is a lively French baroque dance. Telemann’s energetic example, set for Trinity Grade 2, contains plenty of springy rhythms and colour. In this video, I look at how to use simple five-finger patterns to develop the skills involved in playing the piece - forearm staccato and combined touches... Read >>


Graham Fitch Learning pieces Telemann

Sonatina in G - Second Movement

This walkthrough of the second movement of Beethoven’s popular Sonatina in G will help students to assimilate essential elements of the Classical style: articulation, balance, ornamentation, and clear phrasing. The series of reduced scores provides students with a step-by-step approach to learning the piece, and makes it easier for teachers... Read >>


Ken Johansen Learning pieces Beethoven

Fantasy in D Minor K397

This video provides a section by section waltkthrough of Mozart's Fantasy in D Minor K397 (sometimes referred to as Fantasia).... Read >>


Graham Fitch Learning pieces WA Mozart

Scales & Arpeggios - Basic Introduction

A thorough knowledge of scales and arpeggios is an absolute necessity for all serious students of the piano. Western music is built on the major/minor tonal system, and to attempt to study the instrument without scales (or basic theory) would be as nonsensical as learning language without the alphabet or... Read >>


Hanon

There have always been first-rate concert pianists at the top of the profession who swear by Hanon’s exercises and practise them daily e.g. Sergei Rachmaninov. Then there are also many piano teachers who condemn five-finger exercises as not only a waste of time but also contrary to a holistic and... Read >>


Graham Fitch Technique Exercises

Teaching & Developing Sight-Reading Skills

Sight-reading an interesting piece of music is like meeting an interesting person. We enjoy the pleasure of a new encounter, sense perhaps a mutual affinity, and look forward to a deeper acquaintance. This series of articles provides exercises and music aimed at developing confidence in playing at sight and enhancing... Read >>


Spread Chords

Spread (or rolled, ripped, broken or arpeggiated) chords are simply chords where we play one note after the other, rather than playing all the notes simultaneously. Although this sounds relatively straightforward, there are questions and problems associated with spreading chords which this series of articles will seek to address.... Read >>


Graham Fitch Performing

The Well-Tempered Clavier – Part 1

This section contains walk-throughs and lessons on Preludes and Fugues from Book I of J.S. Bach's Well-Tempered Clavier.... Read >>


Graham Fitch Learning pieces Bach

Slow Practice

If you’re serious about playing the piano, there’s no getting away from slow practice. It is a cornerstone of our work from the beginner stages right through to the advanced level, and a practice tool also used by professional pianists and seasoned virtuosos all the time. In this section, ... Read >>


Graham Fitch Practising Practice tools

Separate Practice

Learning a complex piece each hand alone before putting the hands together is a strategy favoured by the majority of piano teachers. While it is of course possible to practise a fugue hands separately, this misses the point. Rather than working hands separately, I advocate strands separately (playing each line... Read >>


Graham Fitch Practising Practice tools

Sonatina in G - First Movement

This walkthrough of the first movement of Beethoven’s popular Sonatina in G will help students to assimilate essential elements of the Classical style: articulation, balance, ornamentation, and clear phrasing. The series of reduced scores provides students with a step-by-step approach to learning the piece, and makes it easier for teachers... Read >>


Ken Johansen Learning pieces Beethoven

ABRSM Exam Resources

This series contains resources and further links to other resources featuring the ABRSM syllabus and is designed for elementary level players, young musicians and their teachers. Articles in this series provide step-by-step (or phrase-by-phrase) approaches to learning a pieces thoroughly and securely, offer practice exercises to help solve technical problems... Read >>


Graham Fitch Performing Examinations

Prelude in B Minor (Op. 28 No. 6)

ABRSM Grade 6 - B2

Chopin’s dark, somber Prélude in B minor is much more difficult to play than it looks. This video demonstrates how to approach this piece technically and musically with particular attention to the pedalling which requires a lot of thought... Read >>


Graham Fitch Learning pieces Chopin

Teaching Beginners

Teaching young beginner pianists is an incredibly rewarding part of being a piano teacher. Find out how to make the early lessons purposeful, musical and enjoyable with real lesson excerpts to bring it all to life.... Read >>


Sally Cathcart Teaching

Piano Technique Lecture Series

In this series of video lectures, I explore aspects of technique one by one. My approach is based on using the body in the most natural ways possible, with emphasis on healthy technique and correct alignment. While I recognise that exercises, such as Hanon, are out of favour with some... Read >>


Graham Fitch Technique

Practical Psychology for Teaching and Learning

Based on lectures from the Piano Teachers' Course, this set of video lectures provide psychological insight and understanding, and practical tips, to help piano teachers with their pupils.... Read >>


Lucinda Mackworth-Young Teaching

Sostenuto in E flat

ABRSM Grade 5 – B1

Chopin's Sostenuto in E flat or Waltz in E flat was discovered as recently as 1941, by the Director of the Paris Conservatoire, Dr. Jacques Chailley. There are precious few works of Chopin that are suitable for the intermediate level pianist, so Grade V candidates will be extremely happy to... Read >>


Graham Fitch Learning pieces Chopin

A Guide to the Trinity College Piano Syllabus

This series features video demonstrations of a selection of pieces from Trinity College London’s 2018 - 2020 piano examination syllabus, with examples from each grade from Initial to 8. You will find plenty of tips for practice, as well as suggestions for piano teachers, and guidance on matters relating to... Read >>


Graham Fitch Performing Examinations

From the Ground Up

From the Ground Up is a series devoted to learning individual pieces using outlines and reduced scores that help you to practise more effectively, memorize more consciously, and interpret music more creatively.... Read >>


Ken Johansen Learning pieces

Prelude in D Minor

BWV 935

Bach's Prelude in D minor, BWV 935, is a perfect introduction to the two-part Inventions, and a little gem in its own right. In this From the Ground Up edition, we work on developing an overall dynamic scheme for the piece, and on achieving rhythmic vitality through note grouping.... Read >>


Ken Johansen Learning pieces Bach

Fanfarinette and La Triomphante (from Suite in A minor)

Trinity College - Grade 8

Jean-Philippe Rameau was an important composer and theorist of the High Baroque. He wrote three books of very fine pieces for harpsichord - Fanfarinette and La Triomphante come from the Suite in A minor (third book), and are examples of character pieces with descriptive or fanciful titles typical of the... Read >>


Graham Fitch Learning pieces Rameau

No. 2 from Kinderstücke (Op. 72)

Trinity College - Grade 7

Mendelssohn wrote his set of six Children’s Pieces, op. 72 for his young relatives during his summer holiday to England in 1842. No. 2, an andante sostenuto in the key of E flat, close in spirit to the composer’s many Songs without Words, features a lyrical melody in the right... Read >>


Allegro molto (3rd movement from Sonata in C major, Hob. XVI:50)

Trinity College - Grade 7

This is the last movement of the so-called “English” Sonata in C, inspired by the powerful and resonant Broadwood pianos Haydn encountered on a visit to London in the 1790s. The music is full of humour and lightness of spirit, requiring a sense of comic timing, clarity of texture and... Read >>


Graham Fitch Learning pieces Haydn

Elgar - Andantino (First movement from Sonatina)

Trinity College - Grade 4

Here we find the first movement of a two-movement sonatina that Elgar wrote for his niece. It is song-like and gently expressive, calling for sensitivity in shaping phrases and timing larger melodic intervals. The Andantino demands careful listening in the balancing of the hands, the accompanying left hand, while quieter,... Read >>


Graham Fitch Learning pieces Elgar

Camidge - Scherzando (Second movement from Sonata no. 1 in G major)

Trinity College - Grade 5

Matthew Camidge's Scherzando in G is a worthy example of Classical period music, a light-natured piece full of melodic embellishments, opportunities for variety in phrase shaping, articulation and dynamic colouring. In this video I demonstrate solutions for the fast repeated notes we find in the B section, and show how... Read >>


Graham Fitch Learning pieces Camidge

Partita No. 1 in B-flat Major (BWV 825)

This set of resources provides walkthroughs for movements from Bach's Partita No. 1 in B-flat Major (BWV 825) featured in the ABRSM examination syllabus. Menuets I and II (ABRSM Grade 6) make a beautiful contrasting pair of dances whereas the Gigue (ABRSM Grade 7) is unusual among Bach’s Gigues -... Read >>


Graham Fitch Learning pieces Bach

Arietta

Lyric Pieces, Op. 12, No. 1

Edvard Grieg’s Arietta, the first of his many Lyric Pieces, is a miniature gem of great refinement and poetry. This From the Ground Up edition helps intermediate to advanced students to understand and communicate its expression, while learning some practice methods that can be applied to many other pieces as... Read >>


Ken Johansen Learning pieces Grieg

Bruch - Moderato from Sechs Klavierstücke (Op. 12, No. 4)

ABRSM Grade 6 – B1

Max Bruch’s delightful Moderato from Sechs Klavierstücke (Op. 12, No. 4 ) is set for ABRSM Grade 6, list B. In this video I demonstrate in detail the techniques of quick cover, springboarding and selective landing to assist you in mastering the LH jumps so that you can focus on... Read >>


Graham Fitch Learning pieces Bruch

Diabelli - Moderato Cantabile (from Sonatina in F major, Op. 168 No. 1)

Trinity College - Grade 5 (Alternative)

The first movement (Moderato) of Diabelli’s appealing Sonatina in F is a model of sonata form in miniature, an ideal way to teach form and structure to the intermediate pianist. In this video I demonstrate the art of finger pedalling in the left hand alberti patterns and show how to... Read >>


Graham Fitch Learning pieces Diabelli

Allegro Assai (1st movement from Sonata in A major, Wq 55 no. 4)

Trinity College - Grade 8

CPE Bach’s Sonata in A is full of invention and makes a great alternative to the standard Haydn or Mozart repertoire. Full of contrasts in dynamics and texture, it demands a lot of technical control and precision. In this walkthrough, I look at how CPE Bach embellishes some of the... Read >>


Graham Fitch Learning pieces CPE Bach

Minuet in D major, K. 355

Trinity College - Grade 7

Mozart’s Minuet in D, K. 355 features chromaticism that is surprising even to our ears (imagine what it must have sounded like to the listener of the day!). The piece is conceived as an ensemble piece for string trio, and we need to have this sound in our ear as... Read >>


Graham Fitch Learning pieces WA Mozart

Waltz in A minor

Trinity College - Grade 4

Grieg’s Waltz in A minor is full of character and contrasts, and not without its challenges - especially concerning how to use the pedal. In this video I show how to organise the pedalling in order to make some of the joins possible without covering over Grieg’s slurs and staccato... Read >>


Graham Fitch Learning pieces Grieg

Intermezzo in B minor (Op. 119 No. 1)

Trinity College - Grade 8

In 1893, Brahms wrote his last work for the piano, a set of four piano pieces, op. 119. The Intermezzo in B minor is the first piece of the set. As a composition it is full of riches, arousing keen interest in composers and scholars (including Arnold Schoenberg) as they... Read >>


Graham Fitch Learning pieces Brahms

Allegro (from Fantasia no. 1 in D major)

Trinity College - Grade 6

Georg Philipp Telemann's Fantasia in D major, on Trinity’s Grade 6 alternative syllabus, is a worthy piece and a lot of fun to play. This video shows some of the principles involved in making decisions regarding dynamics, articulation, touch and expression and looks at several options for interpretation based on... Read >>


Graham Fitch Learning pieces Telemann

Allegretto (from The London Sketchbook, K. 15hh)

Trinity College - Grade 4

Mozart was 8 years old on a trip to London when he wrote this charming little Allegretto in F major in minuet-style, with a trio section in the minor. The video demonstrates how to use quarantine practice for difficult spots, and how to apply bar-by-bar chaining for secure learning. Various... Read >>


Graham Fitch Learning pieces WA Mozart

Sonata in G Major

Trinity College - Grade 3

Here is an opportunity for the developing player to explore various possibilities for touch and articulation. In this short sonata there are also several technical challenges to overcome, including jumps, rotary freedom, delicate grace notes.... Read >>


Graham Fitch Learning pieces Scarlatti

Reger - Versöhnung (Reconciliation) (No. 20 from Aus der Jugendzeit, op. 17)

Trinity College - Grade 6

Max Reger’s Versöhnung (Reconciliation) demands from the player a vivid imagination, the ability to tell a story in sound. This delightful late Romantic piece describes a character asking someone to be their friend again after a disagreement – pleading, commiserating and even dancing to win back their affection. In the... Read >>


Graham Fitch Learning pieces Reger

Prelude in C-sharp Minor

(Op. 3 No. 2)

A series of three videos exploring Rachmaninov’s famous Prelude in C-sharp Minor (Op. 3 No. 2) at the piano, with extensive practice tips to solve the technical issues, pedalling suggestions and thoughts on performance – including how to achieve a big sound effortlessly without banging or harshness.... Read >>


Waltz in E Minor (Op. Posth.)

Chopin’s brilliant Waltz in E minor is justly popular with pianists entering the advanced level. This From the Ground Up edition helps students to lay a solid musical and technical foundation for learning the piece efficiently and quickly, with particular attention given to using rhythmic practice to solve technical challenges.... Read >>


Ken Johansen Learning pieces Chopin

*** (Album for the Young No. 30)

The 30th piece in Schumann’s Album for the Young is one of the composer’s most intimate and tender short pieces, full of harmonic and contrapuntal refinement. Although it is technically accessible to intermediate pianists, it is musically rewarding for more advanced players as well. This From the Ground Up edition... Read >>


Ken Johansen Learning pieces Schumann

Nocturne in E-flat

Op. 9, no. 2

Frédéric Chopin’s Nocturne in E-flat Op. 9 No. 2, has long been a favourite of both pianists and audiences with it's richly-ornamented melody, supported by exquisite harmonies in the left hand. This From the Ground Up walk-through provides a detailed guide to learning this piece efficiently and with understanding and... Read >>


Ken Johansen Learning pieces Chopin

Playing Double Notes at the Advanced Level

Some of the most difficult pieces in the piano literature involve double notes. This series explores how to develop the technical skills needed to play them at the advanced level. It provides detailed advice on how to practise scales, exercises and studies, along with some suggestions for studies you might... Read >>


Graham Fitch Technique Double notes

Beyond Stage Fright - Inspired Performance

This series features the first two weeks of Inspired Performance which is an online video and audio course which aims to help you move through your performance blocks towards a free, joyful and inspired performing life. It provides an overview of performance anxiety, how we experience nerves and how we... Read >>


Charlotte Tomlinson Performing

Technical Exercises and Regimes

This section provides an introduction to what will ultimately be an extensive library of technical exercises and provides an overview of exercise regimens for aspects of playing such as warm-ups, finger exercises, chord playing, octaves, double notes, repeated notes and trills.... Read >>


Graham Fitch Technique Exercises

Beyond Stage Fright - Managing Performance Nerves

This short course aims to start you on the first steps of a journey to help you find ways to manage those nerves so that you can perform to your full potential and enjoy the whole experience. The course is divided into fives days with a short video for each... Read >>


Charlotte Tomlinson Performing

Intermezzo in A Minor (Op. 76 No. 7)

ABRSM Grade 8 – C2

Brahms’s sets of miniatures are among the best-loved shorter works for the piano. The Intermezzo in A minor, op. 76 no. 7, is currently on the ABRSM Grade VIII syllabus, and will pose several challenges for those who wish to master it. This walkthrough and Annotated Study Edition has a... Read >>


Graham Fitch Learning pieces Brahms

Little Prelude in F

BWV 927 (From the Notebook for Wilhelm Friedmann Bach)

Bach’s lovely Little Prelude in F is a harmonic prelude, essentially an elaborated chord progression. In this article, the basic harmonic skeleton of the piece is gradually fleshed out, allowing students to understand its simple underlying structure, and to work systematically on its various layers.... Read >>


Ken Johansen Learning pieces Bach

Von fremden Ländern und Menschen

Kinderszenen, Op. 15, no. 1

Schumann’s Von fremden Länder und Menschen (Of Foreign Lands and People), the first piece of his Kinderszenen (Scenes of Childhood), is a poetic evocation of the dream-like world of children. In this article, the three strands of the music — melody, bass, and accompaniment — are studied individually before being... Read >>


Ken Johansen Learning pieces Schumann

The Girl with the Flaxen Hair

La fille aux cheveux de lin (The Girl with the Flaxen Hair) is among Debussy’s best-loved works for the piano. Despite its apparent simplicity, it is deceptively difficult to bring off. This walkthrough with accompanying annotated study edition gives practical solutions to the numerous problems the pedalling in the work... Read >>


Graham Fitch Learning pieces Debussy

Intermediate Scales & Arpeggios

Pianists at the intermediate level should know all major and minor scales (one form of minor), and all major and minor arpeggios in root position. There are several scale manuals available, but this manual is different in that it offers exercises and suggestions for practice, together with short, easy-to-use video... Read >>


Nocturne in C-sharp Minor

Chopin wrote the Nocturne in C-sharp minor, op. posth. in 1830, but it was only published in 1870. He dedicated the work to his sister, Ludwika “as an exercise before beginning the study of my second Concerto". This series of articles provides a comprehensive walkthrough and detailed practice worksheets for... Read >>


Graham Fitch Learning pieces Chopin

Solfeggietto in C Minor

H220 Wq177:2

The term “solfeggietto” means an exercise, or little study. This much-loved little piece is a study in evenness of tempo and touch, but it is also a study in composition (how a piece of music may be constructed from the simplest of ideas). This series of videos provides an introduction... Read >>


Graham Fitch Learning pieces CPE Bach

Two Short Pieces

This series features two popular short pieces by William Alwyn, The Sun is Setting and The Sea is Angry which are both ideal for the intermediate level.... Read >>


A Crash Course in Music Theory

This series provides a “crash course” in practical theory for pianists. It covers traditional topics such as harmony and counter point through examples and exercises which will improve your understanding of music and your performance practice.... Read >>


ABRSM Grade 1 Scales & Broken Chords

Scale playing is an area of piano study that is often neglected in lessons and undertaken only half-heartedly in practice sessions. And yet scales and arpeggios can be approached creatively, and practised in a variety of different ways! This series of resources on scales and arpeggios begins with the current... Read >>


Aria in F

ABRSM Grade 1 – A1

JC Bach's Aria in F is part of a new series on the ABRSM syllabus designed for youngsters, or elementary players. This series of articles provides a step-by-step (or phrase-by-phrase) approach to learning the piece thoroughly and securely, building a solid foundation for performance in an exam, or if you... Read >>


Graham Fitch Learning pieces JC Bach

The Merry Farmer

ABRSM Grade 4 – B2

Schumann’s piano music is a joy to play – it is full of inspiration, fantastic contrasts in mood and character as well as beautiful melodies and breathtakingly beautiful harmonies. This series of articles provides notes outlining how to approach learning The Merry Farmer, Returning from Work from the Album for... Read >>


Graham Fitch Learning pieces Schumann

Sonatina in G

ABRSM Grade 3 – A1

Handel's Sonatina in G is part of a new series on the ABRSM syllabus designed for youngsters, or elementary players. This series of articles provides a step-by-step (or phrase-by-phrase) approach to learning the piece thoroughly and securely, building a solid foundation for performance in an exam, or if you are... Read >>


Graham Fitch Learning pieces Handel

An Overview of the Practice Tools

This series of articles serves as an introduction to Graham Fitch’s practice tools, including how to approach a new piece and the Three Ss.... Read >>


Graham Fitch Practising Practice tools

Mastering Polyrhythms

A polyrhythm (sometimes referred to as a cross rhythm) is the effect produced when two conflicting rhythms are played together and can prove very challenging indeed! This series of articles will help you tackle them in various ratios, starting with the simplest: two-against-three (2:3) or three-against-two (3:2).... Read >>


Graham Fitch Practising

Skeleton Practice

This series of articles will describe how to deconstruct a score and use skeleton practice by way of a number of examples. New articles and examples will be added on an ongoing basis therefore please do watch this space!... Read >>


Graham Fitch Practising Practice tools

Sonatine

Ravel wrote the first movement of the Sonatine in 1903 for a magazine competition run by a magazine but wasn't awarded the prize as he was the only entrant and had exceeded the length restriction! Fortunately for posterity, Ravel soon added a second and a third movement in 1905 and... Read >>


Graham Fitch Learning pieces Ravel

The Art of Pedalling

This series of videos provides a comprehensive treatise on the subject of pedalling, starting with a brief history of the sustaining pedal and a video on finger pedalling. This is then followed by an indepth look at various aspects of pedal technique and types of pedalling, including: direct, legato, fractional... Read >>


Graham Fitch Technique Pedalling

Mazurkas

This section contains walk-throughs and lessons on Chopin's Mazurkas, starting with the Mazurka in A Minor, Op. 17, No. 4.... Read >>


Graham Fitch Learning pieces Chopin

Impromptus D899 (Op. 90)

This section contains walk-throughs and lessons on Schubert’s Impromptus Op 90, starting with No. 2 in E-Flat Major.... Read >>


Graham Fitch Learning pieces Schubert

Lyric Pieces

(Op. 54)

Grieg wrote his famous Nocturne (Night Piece) in the summer of 1891 during his annual country retreat to the Norwegian mountains and fjords. Along with five other pieces, he included the Nocturne in Book V of his Lyric Pieces, Op. 54.... Read >>


Graham Fitch Learning pieces Grieg