Beethoven

Sonatina in G - Second Movement

This walkthrough of the second movement of Beethoven’s popular Sonatina in G will help students to assimilate essential elements of the Classical style: articulation, balance, ornamentation, and clear phrasing. The series of reduced scores provides students with a step-by-step approach to learning the piece, and makes it easier for teachers... Read >>

Sonatina in G - First Movement

This walkthrough of the first movement of Beethoven’s popular Sonatina in G will help students to assimilate essential elements of the Classical style: articulation, balance, ornamentation, and clear phrasing. The series of reduced scores provides students with a step-by-step approach to learning the piece, and makes it easier for teachers... Read >>

Sonata Pathétique in C Minor

(Op. 13)

If you have ever struggled with Beethoven’s Pathétique Sonata, this series of 11 videos is designed to help you solve some of the main technical and interpretative problems the work poses so that you will be better able to bring out the drama and intensity of the music as you... Read >>

Für Elise

(Bagatelle No. 25 in A Minor)

This evergreen miniature of Beethoven scarcely needs any introduction at all, since Für Elise is known to the world at large. What beginning piano student does not itch to play it, pestering their teacher long before they are ready? This video walkthrough and article shows how to use quarantining and... Read >>

Sonata in C# Minor (Sonata quasi una fantasia)

Op. 27 No. 2 (1st Movement)

This collection of nine videos gives a step-by-step guide to playing the first movement of Beethoven’s Sonata in C# Minor (Sonata quasi una fantasia) or "Moonlight" (Op. 27 No. 2) with detailed advice on style, tempo, pedalling, fingering, practice method and technique - especially on how to avoid tension when... Read >>

Ecossaise in E-Flat (No. 4 from Six Ecossaises, WoO 83)

ABRSM Grade 3 – A1

A lively dance in 2/4 time, an ecossaise is actually the French word for “Scottish”! Flexibility in the right hand is necessary to avoid tension, and flexibility in the pulse (while not indicated in the score) is essential to bring grace and elegance at the start, and then some forward... Read >>