Beethoven didn’t hesitate to borrow material previously explored and at this stage, influence from the Classical period is seen throughout. However, the way he turned the ‘Mannheim Rocket’ theme in Mozart’s G minor symphony into something even more dramatic on a single instrument is uncanny. There are many of his own temperamental traits already displayed in every corner of the music.
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Masayuki Tayama has maintained a highly active schedule as both international recitalist and concerto soloist. Tayama’s Wigmore Hall debut early in his career was a sell-out, and he continues to appear regularly at eminent London venues, including Queen Elizabeth Hall, Cadogan Hall and St. John Smith’s Square. He has taught some of the country’s aspiring pianists as tutor at Chetham’s School of Music, and his teaching incorporates the method taught by Sumiko Mikimoto on tone production, muscle relaxation and training for pianists. In 2020, he was appointed Director of the Piano Teachers’ Course UK, the country’s leading professional development course for piano pedagogy. Tayama is also currently in the midst of a project to record Rachmaninov’s complete works for solo piano.
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