Beethoven

Selection

Beethoven - Sonata No. 8 in C Minor ("Pathétique") (Op. 13)

(Op. 13)

If you have ever struggled with Beethoven’s Pathétique Sonata, this series of 11 videos is designed to help you solve some of the main technical and interpretative problems the work poses so that you will be better able to bring out the drama and intensity of the music as you... Read >>


Graham Fitch Repertoire

Beethoven - Scherzo (3rd mvt from Sonata in A, Op. 2 No. 2)

ABRSM Grade 7 – A1

Preview (please log-in or subscribe to see full video) Resources & links This piece is available for individual purchase as a digital download here or in print as part of the Piano Exam Pieces 2025 & 2026 Grade 7 publication here. Open domain editions are also available here. You can listen to a recording of this piece and others from this grade on Spotify using this link. ... Read >>


Graham Fitch Repertoire

Beethoven - Sonata No. 14 in C# Minor ("Moonlight") (Op. 27 No. 2)

Op. 27 No. 2 (1st Movement)

This collection of nine videos gives a step-by-step guide to playing the first movement of Beethoven’s Sonata in C# Minor (Sonata quasi una fantasia) or "Moonlight" (Op. 27 No. 2) with detailed advice on style, tempo, pedalling, fingering, practice method and technique - especially on how to avoid tension when... Read >>


Graham Fitch Repertoire

Beethoven - Sonata No. 2 in A Major (Op. 2 No. 2)

(Op. 2 No. 2)

Pianist and captain of The Piano Boat, Masayuki Tayama, gives a guided tour of Beethoven’s second piano sonata in A major, Op. 2 No. 2. In these twenty videos, Masa explores background, style, interpretation, technical challenges and practice methods for each of the four movements.... Read >>


Masayuki Tayama Repertoire

Beethoven - Sonatina in G (2nd mvt - Anh. 5 No. 1)

This walkthrough of the second movement of Beethoven’s popular Sonatina in G will help students to assimilate essential elements of the Classical style: articulation, balance, ornamentation, and clear phrasing. The series of reduced scores provides students with a step-by-step approach to learning the piece, and makes it easier for teachers... Read >>


Ken Johansen Repertoire

Beethoven - Sonata No. 5 in C Minor (Op. 10 No. 1)

(Op. 10 No. 1)

Pianist and captain of The Piano Boat, Masayuki Tayama, gives a guided tour of Beethoven’s fifth sonata in C minor, Op. 10 No. 1. In these fourteen videos, Masa explores background, style, interpretation, technical challenges and practice methods for each of the three movements.... Read >>


Masayuki Tayama Repertoire

Beethoven - Sonatina in G (1st Mvt, Anh. 5 No. 1)

This walkthrough of the first movement of Beethoven’s popular Sonatina in G will help students to assimilate essential elements of the Classical style: articulation, balance, ornamentation, and clear phrasing. The series of reduced scores provides students with a step-by-step approach to learning the piece, and makes it easier for teachers... Read >>


Ken Johansen Repertoire

Beethoven - Adagio cantabile (2nd movt from Sonata in C minor ‘Pathétique’, Op. 13)

ABRSM Grade 8 - B12

The famous second movement of Beethoven’s Pathétique Sonata begins in the manner of a string quartet, the first violin entering only in the second phrase. Play the viola-like semiquaver part very softly and judge how much to give the cello line so that it supports the melodic line on top. When the main melody returns, the triplet figuration encourages the music to move forwards. The coda, an adieu, brings the music to a gentle close. Organise the ornaments rhythmically in the middle section, ensuring they enhance their surroundings. Preview (please log-in or... Read >>


Graham Fitch Repertoire

Beethoven (arr. Czerny) - Écossaise in G, WoO 23

ABRSM Grade 2 – A1

In this bouncy Écossaise by Beethoven the player needs to distinguish between two different types of staccato - the ordinary dot and the sharper, more accented dash (or wedge). We find several slurs, to be played using a down-up motion generated by the arm; release the final note of each slur, making it softer and slightly shorter than its written value. Bring out the humour of the piece by enjoying Beethoven’s cheeky dissonances and high-spirited syncopations. Preview (please log-in or subscribe to see full video) ... Read >>


Graham Fitch Repertoire