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Harmony, History & Style
This unique course blends analysis and music history to produce a deeper understanding of musical style. Understanding style brings classical music to life, helping you hear more and improving your playing or teaching!
Contents
Unit 1 - Introduction to the Baroque
Unit 1 - Introduction to Reduction & Analysis
Unit 1 - Diatonic Harmony (Major Keys)
Unit 1 - Diatonic Harmony (Minor Keys)
Unit 2 - Introduction to the Classical Style
Unit 2 - Chromatic Diatonic Harmony (Part 1)
Author
Lona Kozik
Lona Kozik, Ph.D., is a composer, pianist, improviser and teacher. Her music has been played and recorded in the United States and Europe. Her online music theory courses are popular and have clarified the subject for many musicians. She runs the School of Music Theory and the Totnes School of Piano from her home in Devon, England.
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<h3> <a href="/content/pages/99-reger-vershnung-reconciliation-no-20-from-aus-der-jugendzeit-op-17?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 6</a></h3>Max Reger’s Versöhnung (Reconciliation) demands from the player a vivid imagination, the ability to tell a story in sound. This delightful late Romantic piece describes a character asking someone to be their friend again after a disagreement – pleading, commiserating and even dancing to win back their affection. In the... Read >>
Intermezzo in B minor (Op. 119 No. 1)
<h3> <a href="/content/pages/101-intermezzo-in-b-minor-op-119-no-1?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 8</a></h3>In 1893, Brahms wrote his last work for the piano, a set of four piano pieces, op. 119. The Intermezzo in B minor is the first piece of the set. As a composition it is full of riches, arousing keen interest in composers and scholars (including Arnold Schoenberg) as they... Read >>
Schubert - Impromptu in G-Flat Major (Op. 90 No. 3)
Schubert’s Impromptu in G-flat major is part of the first set of impromptus composed shortly before his death in 1828. The piece showcases Schubert's mastery of maintaining a single texture throughout, with a lyrical melody in the upper voice, rippling triplet figures in the middle and a supportive bassline. In... Read >>
Sonata in G Major
<h3> <a href="/content/pages/97-sonata-in-g-major?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 3</a></h3>Here is an opportunity for the developing player to explore various possibilities for touch and articulation. In this short sonata there are also several technical challenges to overcome, including jumps, rotary freedom, delicate grace notes.... Read >>
A Crash Course in Music Theory
This series provides a “crash course” in practical theory for pianists. It covers traditional topics such as harmony and counter point through examples and exercises which will improve your understanding of music and your performance practice.... Read >>
Mazurka in G minor (Op. 67 No. 2)
<h3> <a href="/content/pages/160-mazurka-in-g-minor-op-67-no-2?bundle_url=online-academy&last_viewed=true">ABRSM Grade 6 – B1</a></h3>The mazurka is based on the Polish folk dance that originated in Mazovia, near Warsaw. Chopin wrote more than 50 mazurkas and listening to a variety of them will help develop a sense of the characteristic style. This example, in G minor, was written in the last year of Chopin’s... Read >>
Mazurka in A minor (Op.17 No. 4)
A ravishing melody floats in the air above the left hand’s meandering harmonies, creating a haunting, melancholy atmosphere. The second section invites us to a rustic dance but even though the music has now moved to the major key the colour remains dark, the bass drone keeping us grounded. The... Read >>
Waltz in A minor
<h3> <a href="/content/pages/106-waltz-in-a-minor?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 4</a></h3>Grieg’s Waltz in A minor is full of character and contrasts, and not without its challenges - especially concerning how to use the pedal. In this video I show how to organise the pedalling in order to make some of the joins possible without covering over Grieg’s slurs and staccato... Read >>
Fanfarinette and La Triomphante (from Suite in A minor)
<h3> <a href="/content/pages/121-fanfarinette-and-la-triomphante-from-suite-in-a-minor?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 8</a></h3>Jean-Philippe Rameau was an important composer and theorist of the High Baroque. He wrote three books of very fine pieces for harpsichord - Fanfarinette and La Triomphante come from the Suite in A minor (third book), and are examples of character pieces with descriptive or fanciful titles typical of the... Read >>
Fantasy in D Minor K397
This video provides a section by section waltkthrough of Mozart's Fantasy in D Minor K397 (sometimes referred to as Fantasia).... Read >>
Intermezzo in E-Flat (Op. 117 No. 1)
This set of pieces was described by Brahms as “lullaby to my sorrows” and the first of the set of three certainly conveys a sense of a rocking motion. In this video, Graham Fitch demonstrates how to bring out the melody in the inner (middle) voices of this piece.... Read >>
Knight Rupert (Album for the Young No. 12)
Knight Rupert, No. 12 from Schumann’s Album for the Young, Op. 68, is a favourite recital piece for the intermediate player, and great fun to play. The rousing A section contrasts beautifully with the more lyrical B section. This video walkthrough and article shows how to use quarantining and other... Read >>
From the Ground Up
From the Ground Up is a series devoted to learning individual pieces using outlines and reduced scores that help you to practise more effectively, memorize more consciously, and interpret music more creatively.... Read >>
Prelude in B Minor (Op. 28 No. 6)
<h3> <a href="/content/pages/113-prelude-in-b-minor-op-28-no-6?bundle_url=online-academy&last_viewed=true">ABRSM Grade 6 - B2</a></h3>Chopin’s dark, somber Prélude in B minor is much more difficult to play than it looks. This video demonstrates how to approach this piece technically and musically with particular attention to the pedalling which requires a lot of thought... Read >>
Allegro molto (3rd movement from Sonata in C major, Hob. XVI:50)
<h3> <a href="/content/pages/119-allegro-molto-3rd-movement-from-sonata-in-c-major-hob-xvi50?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 7</a></h3>This is the last movement of the so-called “English” Sonata in C, inspired by the powerful and resonant Broadwood pianos Haydn encountered on a visit to London in the 1790s. The music is full of humour and lightness of spirit, requiring a sense of comic timing, clarity of texture and... Read >>
Intermezzo in E major (Op. 116 No. 6)
<h3> <a href="/content/pages/186-intermezzo-in-e-major-op-116-no-6?bundle_url=online-academy&last_viewed=true">Walkthrough</a></h3>Brahms’ late piano pieces are among his most personal and intimate music. This bittersweet, nostalgic Intermezzo is from the set of Fantasies, Op. 116, completed in 1892. Within the progression of harmonies in the outer sections we discover interweaving melodic lines; imagine a dialogue between a violin and a viola... Read >>
No. 2 from Kinderstücke (Op. 72)
<h3> <a href="/content/pages/120-no-2-from-kinderstcke-op-72?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 7</a></h3>Mendelssohn wrote his set of six Children’s Pieces, op. 72 for his young relatives during his summer holiday to England in 1842. No. 2, an andante sostenuto in the key of E flat, close in spirit to the composer’s many Songs without Words, features a lyrical melody in the right... Read >>
Tarantella (No. 4 from Musiques d’enfants, Op. 65)
<h3> <a href="/content/pages/159-tarantella-no-4-from-musiques-denfants-op-65-?bundle_url=online-academy&last_viewed=true">ABRSM Grade 5 – C3</a></h3>Prokoviev’s Music for Children was composed in 1935 and contains 12 pieces with descriptive titles. The Tarantella is one of the best examples of this type of dance piece, featuring spinning patterns in both hands and plenty of quirky harmonic and rhythmic features that make Prokoviev’s style so engaging.... Read >>
Prelude in C minor (BWV 999)
<h3> <a href="/content/pages/158-prelude-in-c-minor-bwv-999?bundle_url=online-academy&last_viewed=true">ABRSM Grade 4 – A1</a></h3>Built from a harmonic progression and originally written for lute we can recreate some of the resonance of that instrument either by short touches of pedal, or by overholding some notes of the broken chords.... Read >>
Invention in D Minor No. 4 (BWV 775)
Bach's Inventions (in two parts) and the Sinfonias (in three parts) were written for the Bach’s eldest son, Wilhelm Friedemann and are played throughout the world by intermediate players and concert artists alike. This video walkthrough and article shows how to use quarantining and other practice tools to approach two... Read >>
Für Elise
<h3> <a href="/content/pages/140-fr-elise?bundle_url=online-academy&last_viewed=true">(Bagatelle No. 25 in A Minor)</a></h3>This evergreen miniature of Beethoven scarcely needs any introduction at all, since Für Elise is known to the world at large. What beginning piano student does not itch to play it, pestering their teacher long before they are ready? This video walkthrough and article shows how to use quarantining and... Read >>
Elgar - Andantino (First movement from Sonatina)
<h3> <a href="/content/pages/118-elgar-andantino-first-movement-from-sonatina?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 4</a></h3>Here we find the first movement of a two-movement sonatina that Elgar wrote for his niece. It is song-like and gently expressive, calling for sensitivity in shaping phrases and timing larger melodic intervals. The Andantino demands careful listening in the balancing of the hands, the accompanying left hand, while quieter,... Read >>