Do you feel that your left hand is weaker than your right hand, and is holding you back in your piano playing? We all have a dominant hand, and for most of us it is the right hand. However, research has shown that even in left handed players, the right hand still shows a higher level of motor control. In these videos, I provide a walk-through of selected exercises and studies from Berens's The Training of the Left Hand (Op. 89), showing you how they can be used to develop left hand technique.
As with any exercises or studies, it’s how we do them that matters. The walk-throughs focus on playing using coordinated movements of the fingers, hand and arm so that we avoid tension and injury. It’s also important not to overdo this type of technical work, but to use exercises and studies for specific purposes when they are helpful as part of a balanced regime of activities at the piano.
Resources & links
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JS Bach Cello Suite No. 1 in G MajorArrangement for the Left HandAs part of a collection of resources we're publishing for developing the left hand, we've created a lightly edited version of Bach's magnificent Cello Suite No. 1 in G major as supplementary material. This edition gives a pianist the opportunity to familiarise themselves with this great work of art while developing their left hand technique. This study edition is available with as part of our Annotated Study Editions bundle or with an annual subscription to the Practising the Piano Online Academy. Please click here to view in your library or to purchase from our store. |
Graham Fitch, based in London, maintains an international career not only as a pianist, but also as a teacher, adjudicator, examiner, lecturer, writer and commentator on piano playing and musical subjects.
Author profile >>A thorough knowledge of scales and arpeggios is an absolute necessity for all serious students of the piano. Western music is built on the major/minor tonal system, and to attempt to study the instrument without scales (or basic theory) would be as nonsensical as learning language without the alphabet or... Read >>
In this excerpt from her online course, Teaching Healthy Expressive Piano Technique, Penelope Roskell shows how to approach practising and playing grace notes, mordents and turns.... Read >>
William Westney demonstrates his unique approach to scales for pianists of all levels which uses a simple exercise that can be applied to any fast passage in the repertoire.... Read >>
Some of the most difficult pieces in the piano literature involve double notes. This series explores how to develop the technical skills needed to play them at the advanced level. It provides detailed advice on how to practise scales, exercises and studies, along with some suggestions for studies you might... Read >>
Piano playing is a deeply satisfying artistic activity, but it can also be very demanding physically on our arms and hands. Just as elite athletes understand and care for their bodies, so should pianists think carefully about their approach to playing and practising. A healthy piano technique not only avoids... Read >>
Pianists at the intermediate level should know all major and minor scales (one form of minor), and all major and minor arpeggios in root position. There are several scale manuals available, but this manual is different in that it offers exercises and suggestions for practice, together with short, easy-to-use video... Read >>
In this series of video lectures, I explore aspects of technique one by one. My approach is based on using the body in the most natural ways possible, with emphasis on healthy technique and correct alignment. While I recognise that exercises, such as Hanon, are out of favour with some... Read >>
A thorough understanding of the principles of good fingering is a vital basis for good piano playing. Without comfortable, musically appropriate fingerings, we can waste hours of practice time trying to remedy a problem which could have been averted much earlier. In this series of articles, author Penelope Roskell... Read >>
Should the exercises of Charles-Louis Hanon be consigned to the dustbins of history or can they be useful if done mindfully, with choreography based on modern thinking about piano technique? In this lecture series, Graham Fitch shows many applications for Hanon's exercises, including how they can be used as a... Read >>
Forearm rotation is a way of coordinating the arm with the fingers in very specific and controlled ways. Tiny movements in the forearm share with the fingers the job of putting down the keys and can yield significant benefits, including improved coordination, reduced tension and a feeling of greater strength... Read >>
Carl Czerny’s works are often thought of as a ‘necessary evil’ that will magically further a pianist’s technique. As with all repertoire, outstanding results can only be achieved by working better, not harder. Fred Karpoff shows how Czerny’s Eight-Measure Exercises, in particular, are an excellent vehicle for quickly addressing specific... Read >>
This series of videos provides a comprehensive treatise on the subject of pedalling, starting with a brief history of the sustaining pedal and a video on finger pedalling. This is then followed by an indepth look at various aspects of pedal technique and types of pedalling, including: direct, legato, fractional... Read >>
Peter Feuchtwanger was an important teacher who created a series of exercises designed to encourage healthy, natural and relaxed movements at the piano. In this module, Graham Fitch and Daniel Grimwood give their takes on Peter's exercises and share anecdotes from their experience in working with him.... Read >>
Having great octave technique is an essential hallmark of virtuosity, but what’s the secret to developing it? In this module Graham Fitch provides a comprehensive guide to developing octave technique using numerous examples from the repertoire, video demonstrations and exercises.... Read >>
Based on motions that are natural to the body, this introductory module explores the basics of piano technique, through a series of videos demonstrating how to move in ways that are natural the body to achieve physical freedom for playing that feels and sounds good. It serves as a starting... Read >>
This module follows on from the introductory module to explore the fundamentals of scale and arpeggio playing, featuring close-up video demonstrations of the movements involved. It provides suggestions and exercises for mastering technical challenges such as thumb passage and gaining speed, with further tips on how to structure scale and... Read >>
In this lecture series, Ilga Pitkevica gives a tour of Czerny’s Practical Method for Beginners (Op. 599), explaining how and why these etudes should be used for developing and teaching both musical and technical skills. Ilga provides detailed suggestions for each of her favourite etudes from the collection practising, avoiding... Read >>
This section provides an introduction to what will ultimately be an extensive library of technical exercises and provides an overview of exercise regimens for aspects of playing such as warm-ups, finger exercises, chord playing, octaves, double notes, repeated notes and trills.... Read >>
Mastering core piano techniques is essential for the freedom to successfully express musical ideas. Based on her personal experience and the traditions of the Russian School, Ilga Pitkevica shares insights into approaches and strategies for achieving “pianistic fitness” and developing a balanced piano technique.... Read >>
Scale playing is an area of piano study that is often neglected in lessons and undertaken only half-heartedly in practice sessions. And yet scales and arpeggios can be approached creatively, and practised in a variety of different ways! This series of resources on scales and arpeggios begins with the current... Read >>
In this collection of videos, Penelope Roskell demonstrates clearly and concisely how yoga principles can be applied directly to instrumental playing, and how playing can be more fluid, powerful and emotionally expressive. Suitable for musicians of any age; from beginner to professional; Classical, jazz, folk and pop, the exercises demonstrated... Read >>
A thorough knowledge of scales and arpeggios is an absolute necessity for all serious students of the piano. Western music is built on the major/minor tonal system, and to attempt to study the instrument without scales (or basic theory) would be as nonsensical as learning language without the alphabet or... Read >>
In this excerpt from her online course, Teaching Healthy Expressive Piano Technique, Penelope Roskell shows how to approach practising and playing grace notes, mordents and turns.... Read >>
William Westney demonstrates his unique approach to scales for pianists of all levels which uses a simple exercise that can be applied to any fast passage in the repertoire.... Read >>
Some of the most difficult pieces in the piano literature involve double notes. This series explores how to develop the technical skills needed to play them at the advanced level. It provides detailed advice on how to practise scales, exercises and studies, along with some suggestions for studies you might... Read >>
Piano playing is a deeply satisfying artistic activity, but it can also be very demanding physically on our arms and hands. Just as elite athletes understand and care for their bodies, so should pianists think carefully about their approach to playing and practising. A healthy piano technique not only avoids... Read >>
Pianists at the intermediate level should know all major and minor scales (one form of minor), and all major and minor arpeggios in root position. There are several scale manuals available, but this manual is different in that it offers exercises and suggestions for practice, together with short, easy-to-use video... Read >>
In this series of video lectures, I explore aspects of technique one by one. My approach is based on using the body in the most natural ways possible, with emphasis on healthy technique and correct alignment. While I recognise that exercises, such as Hanon, are out of favour with some... Read >>
A thorough understanding of the principles of good fingering is a vital basis for good piano playing. Without comfortable, musically appropriate fingerings, we can waste hours of practice time trying to remedy a problem which could have been averted much earlier. In this series of articles, author Penelope Roskell... Read >>
Should the exercises of Charles-Louis Hanon be consigned to the dustbins of history or can they be useful if done mindfully, with choreography based on modern thinking about piano technique? In this lecture series, Graham Fitch shows many applications for Hanon's exercises, including how they can be used as a... Read >>
Forearm rotation is a way of coordinating the arm with the fingers in very specific and controlled ways. Tiny movements in the forearm share with the fingers the job of putting down the keys and can yield significant benefits, including improved coordination, reduced tension and a feeling of greater strength... Read >>
Carl Czerny’s works are often thought of as a ‘necessary evil’ that will magically further a pianist’s technique. As with all repertoire, outstanding results can only be achieved by working better, not harder. Fred Karpoff shows how Czerny’s Eight-Measure Exercises, in particular, are an excellent vehicle for quickly addressing specific... Read >>
This series of videos provides a comprehensive treatise on the subject of pedalling, starting with a brief history of the sustaining pedal and a video on finger pedalling. This is then followed by an indepth look at various aspects of pedal technique and types of pedalling, including: direct, legato, fractional... Read >>
Peter Feuchtwanger was an important teacher who created a series of exercises designed to encourage healthy, natural and relaxed movements at the piano. In this module, Graham Fitch and Daniel Grimwood give their takes on Peter's exercises and share anecdotes from their experience in working with him.... Read >>
Having great octave technique is an essential hallmark of virtuosity, but what’s the secret to developing it? In this module Graham Fitch provides a comprehensive guide to developing octave technique using numerous examples from the repertoire, video demonstrations and exercises.... Read >>
Based on motions that are natural to the body, this introductory module explores the basics of piano technique, through a series of videos demonstrating how to move in ways that are natural the body to achieve physical freedom for playing that feels and sounds good. It serves as a starting... Read >>
This module follows on from the introductory module to explore the fundamentals of scale and arpeggio playing, featuring close-up video demonstrations of the movements involved. It provides suggestions and exercises for mastering technical challenges such as thumb passage and gaining speed, with further tips on how to structure scale and... Read >>
In this lecture series, Ilga Pitkevica gives a tour of Czerny’s Practical Method for Beginners (Op. 599), explaining how and why these etudes should be used for developing and teaching both musical and technical skills. Ilga provides detailed suggestions for each of her favourite etudes from the collection practising, avoiding... Read >>
This section provides an introduction to what will ultimately be an extensive library of technical exercises and provides an overview of exercise regimens for aspects of playing such as warm-ups, finger exercises, chord playing, octaves, double notes, repeated notes and trills.... Read >>
Mastering core piano techniques is essential for the freedom to successfully express musical ideas. Based on her personal experience and the traditions of the Russian School, Ilga Pitkevica shares insights into approaches and strategies for achieving “pianistic fitness” and developing a balanced piano technique.... Read >>
Scale playing is an area of piano study that is often neglected in lessons and undertaken only half-heartedly in practice sessions. And yet scales and arpeggios can be approached creatively, and practised in a variety of different ways! This series of resources on scales and arpeggios begins with the current... Read >>
In this collection of videos, Penelope Roskell demonstrates clearly and concisely how yoga principles can be applied directly to instrumental playing, and how playing can be more fluid, powerful and emotionally expressive. Suitable for musicians of any age; from beginner to professional; Classical, jazz, folk and pop, the exercises demonstrated... Read >>
A thorough knowledge of scales and arpeggios is an absolute necessity for all serious students of the piano. Western music is built on the major/minor tonal system, and to attempt to study the instrument without scales (or basic theory) would be as nonsensical as learning language without the alphabet or... Read >>
In this excerpt from her online course, Teaching Healthy Expressive Piano Technique, Penelope Roskell shows how to approach practising and playing grace notes, mordents and turns.... Read >>
William Westney demonstrates his unique approach to scales for pianists of all levels which uses a simple exercise that can be applied to any fast passage in the repertoire.... Read >>