- Home >
- Teaching Healthy, Expressive Piano Technique >
- Finger Touch and Tone Production >
- Playing Staccato
Finger Touch and Tone Production
Playing Staccato
Forearm Staccato The Problem with Wrist Staccato Teaching Staccato to Beginners Bouncing Staccato Combining Slurs with Forearm Staccato Summary: Staccato needs to be considered in its musical context. Shorter levers move faster; longer levers are stronger but slower. Use gravity and the natural rebound. Use images of different sized balls and animals to vary...Sign in to view if you have purchased access to this content or see purchase options below.
Penelope Roskell
Penelope Roskell is equally renowned as a performer of international calibre and as an inspirational teacher and professor of piano at Trinity Laban Conservatoire of Music and Dance. She is the author of The Complete Pianist: From Healthy Technique to Natural Artistry and is the leading UK specialist in healthy piano playing. She holds a clinic at the British Association for Performing Arts Medicine for pianists with injuries and her guide to preventing and recovering from injury is available here.
Author profile >>