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Beethoven (arr. Czerny) - Écossaise in G, WoO 23
In this bouncy Écossaise by Beethoven the player needs to distinguish between two different types of staccato - the ordinary dot and the sharper, more accented dash (or wedge). We find several slurs, to be played using a down-up motion generated by the arm; release the final note of each slur, making it softer and slightly shorter than its written value. Bring out the humour of the piece by enjoying Beethoven’s cheeky dissonances and high-spirited syncopations.
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